Classical Styles

Renaissance and old-master portraits of your cat.

Sfumato, chiaroscuro, ermine and brocade — the visual language European portraitists spent four centuries refining, applied to the cat asleep on your sofa. Each of these is a written painting brief, and your photograph is what it is painted from.

Renaissance & old-master styles

These are about the paint itself: how light falls, how edges dissolve, how a glaze sits on a panel.

  • Da Vinci RenaissanceSoft sfumato technique with warm earth tones and chiaroscuro lighting.
  • Renaissance Tulip FieldHigh Renaissance oil painting with a vibrant tulip field backdrop — dignified and faithful.
  • Renaissance Fantasy Garden 1Old-world oil with crisp glazing and whimsical miniature garden vignettes.
  • Dutch MasterDramatic chiaroscuro with deep blacks and luminous golden highlights.
  • Chiaroscuro Memorial 1Baroque oil with warm candlelight — lighter and more legible for memorial portraits.
  • DelacroixRomantic drama with stormlit atmosphere, heroic chiaroscuro, and sweeping painterly energy.
  • Turner AtmosphereLuminous atmospheric oil painting with glowing light, misty diffusion, and romantic sky tones.

Court & aristocratic portraiture

These add the full apparatus of a state portrait — the costume, the column, the sky behind the shoulder — in the manner of the painters who invented the formula.

  • Rigaud — Bourbon State PortraitYour pet in the full Louis XIV state-portrait formula by Hyacinthe Rigaud — ermine cape, fleur-de-lis brocade, marble columns, scepter, theatrical Baroque grandeur.
  • David — Neoclassical ImperialYour pet rendered in the cool neoclassical authority of Jacques-Louis David — Napoleonic state portrait energy, marble columns, restrained palette, sculptural stillness.
  • Goya — Spanish CourtYour pet in the late-Goya Spanish court manner — gleaming embroidered uniform, sashes and medals, dark velvet background, loose passionate brushwork.
  • Hals — Dutch Golden AgeYour pet as a Dutch Golden Age burgher in the lively manner of Frans Hals — black silk doublet, white lace ruff, loose brushwork, candid sparkle in the eyes.
  • Gainsborough — Georgian ParkYour pet as Georgian English aristocracy in the manner of Thomas Gainsborough — silk frock coat, feathery brushwork, blue-gray-green palette, English country park backdrop with light ruffled sky.
  • László — Edwardian SocietyYour pet in the late-Edwardian society-portrait manner of Philip de László — looser, more luminous than Sargent, satin and lace and drawing-room light, dove-gray and pearl palette.
  • Victorian RoyaltyRegal portrait with ornate gilded frame aesthetic and rich velvet tones.
  • Imperial Czar HeirloomOld-master court portrait with brocade, gilding, and candlelit warmth.

These are a fraction of the library. The full set is in the style gallery.

Canvas and print specifications

Portraits are painted square, and the wall-art formats are square to match. Nothing is cropped to fit a frame.

  • Gallery Canvas Gallery-wrapped canvas on 1.5" solid wood stretcher bars. Made for the wall, square format. Sizes 10x10 to 50x50 inches, from $79.
  • Float-Framed Heirloom Canvas mounted in a floating black wood frame with shadow gap — our premium keepsake presentation. Square format. Sizes 12x12 to 40x40 inches, from $199.
  • Archival Giclée PrintArchival pigment ink on 310gsm cotton rag paper. Museum-grade fine-art print, square format. Sizes 8x8 to 30x30 inches, from $35.
  • Hahnemühle Fine-Art Print Museum-grade Hahnemühle Photo Rag 308gsm cotton paper — the same archival surface used by major galleries. Square format. Sizes 12x12 to 30x30 inches, from $79.